NPC-𝓕𝓻𝓮𝓪𝓴𝔂 War II: Electric Boogaloo

Whalecum to the page that documents Saying Goodbye to the Fanboy & Chum Chum Bible Lore Saga (a.k.a. Peak Fiction)
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The OMNIVERSE SAGA, also known as the Exiled Saga (or the Exiled arc), or as the 𝔖𝔞𝔶𝔦𝔫𝔤 𝔊𝔬𝔬𝔡𝔟𝔶𝔢 𝔱𝔬 𝔉𝔞𝔫𝔟𝔬𝔶 𝔞𝔫𝔡 ℭ𝔥𝔲𝔪 ℭ𝔥𝔲𝔪 𝔖𝔞𝔤𝔞 (or the 𝔖𝔞𝔶𝔦𝔫𝔤 𝔊𝔬𝔬𝔡𝔟𝔶𝔢 𝔱𝔬 𝔉𝔞𝔫𝔟𝔬𝔶 𝔞𝔫𝔡 ℭ𝔥𝔲𝔪 ℭ𝔥𝔲𝔪 𝔞𝔯𝔠), is the sacred unholy scripture of the Dark Prognosticus written by and serves as the 825,609,950,518,330,289,255,145,246,890,391,073,967^th story arc/saga and “phase” within the entirety of all fiction and, as of recently right now, the most current one (and probably the final or penultimate one maybe???) Taking place directly after the events of The End of Pooh's Adventures A.K.A. the NPC-𝓕𝓻𝓮𝓪𝓴𝔂 War, it was the most massive multimedia and expansive recursive crossover trollfic ever co-created by renowned multilingual authors, philosophers, scholars, and schizophrenic domestic terrorists, Ozzie2009 and KMJ. It is also considered the fanfic of all time. It was also considered factually the ultimate crossover in which every fictional universe, franchise, mythology, and original setting all appeared. Encase you’re unaware of the ending of the masterpiece that was that story, it all culminated in the 5758 AD with the complete destruction of fiction and the Omniverse itself, resulting in the deaths and erasure of nearly every pre-established fictional character ever conceived. While the ending appeared absolute, the sequel explores the consequences of that conclusion from the perspective of one of the few surviving characters: the dreamer who dreamt it all.

Unlike its predecessor, which focused on the interactions between countless established fictional characters and being a crossover, the Omniverse Saga centers almost exclusively on original concepts and characters born from the aftermath of fiction's collapse. Basically speaking, this is barley a crossover unlike its predecessor. The story, so far, is notable for switching the de facto "protagonists" from various pre-established heroes and characters to six (or more) random characters who have no fucking idea what the hell is going on. These six characters are all from random verses/cosmologies within the Omniverse who all happen to end up in Quadratum after 50% of the Omniverse was destroyed. These neutral and curiously confused characters—labelled as "enemies of the Omniverse"—include "I just wanna grill for god's sake" Guy (a villainous OC from Katsura Hoshino's manga 𝔇.𝔊𝔯𝔞𝔶-𝔪𝔞𝔫 who was a member of the Noah family), John Ivelostfaithinhumanity Jr. (a villainous OC from Lazerbot's webcomic who was a member of the trolls), Scroogey McClooney (another villainous OC from Lazerbot's webcomic who was a member of the satanists), Grockon the Dream Goblin (a villainous OC from Ross O'Donovan's web-series who was a member of Syntax), and finally, Enrique (a villainous OC from Ozzie T Floridian's SpongeBob Fanon Wiki's who was a member of the 𝓯𝓻𝓮𝓪𝓴𝓮𝓻𝓼)

Following the complete annihilation of all fiction, Enrique unexpectedly awakens in unreality—an existence entirely separate from any universe he had previously traversed or has been in. Soon after arriving, Enrique encounters *Gretel, a mysterious young girl bearing the appearance and memories of the deceased child assassin from another long-destroyed fictional universe. Despite having unquestionably died long before all of fiction itself collapsed, Gretel inexplicably exists within unreality as though she had always belonged there. Furthermore, it horrifyingly turns out that the destruction of fiction did not eliminate its inhabitants entirely. Rather, it shattered the boundary separating fiction from unreality itself. All surviving fictional characters and conceptions that survived the Omniverse’s destruction begin bleeding into unreality, initiating the prophesied and irreversible Dimensional Merge that transforms unreality into the apocalyptic shitshow between existence and nonexistence.

As Enrique and *Gretel attempt to survive the increasingly unstable world that they both find themselves in, they become entangled within a hidden conflict that had secretly manipulated the entirety of the original crossover from behind the scenes. The sequel reveals that the destruction of fiction was merely the latest chapter in an immeasurably older cosmological war fought between three vast ideological powers, each operating on scales transcending ordinary multiversal existence. The first of these organizations are the Omnists, an immense coalition composed of the surviving remnants of destroyed multiverses, continuities, timelines, and civilizations. Originally, each member had previously fallen victim to centuries of manipulation, like that of the NPCs and 𝓯𝓻𝓮𝓪𝓴𝓮𝓻𝓼, who were nothing more than mere puppets orchestrated by Cecil Turtle. Following the collapse of fiction, these scattered survivors united beneath a single banner dedicated to preventing further manipulation at any cost. Having witnessed countless worlds sacrificed as expendable pieces within larger cosmic schemes, the Omnists join forces so no universe is ever exploited again. Opposing them is the enigmatic organization known as Shía Ła Tħsüýa, the secret architects behind the NPC-𝓕𝓻𝓮𝓪𝓴𝔂 War and many other conflicts across fiction. Led by the mysterious figure known only as Cecil, the organization is revealed to have spent incomprehensible spans of time subtly orchestrating the development, interaction, collapse, and rebirth of entire fictional realities. Yet, this story gradually suggests that their manipulations were never intended as ends in themselves, but as desperate preparations against a far older and infinitely less comprehensible enemy. That enemy is the third and oldest known power: Ts’ng-Thra-Thot-Akath. Existing beyond conventional notions of life, matter, chronology, or even narrative, the entities comprising this faction possess motives fundamentally incompatible with baryonic existence. Their ultimate objective concerns the realization of an unfathomable state known only as the "Nugetian meat-cycles."

Caught entirely outside this hierarchy are *Gretel, Enrique, I just wanna grill for god's sake" Guy, John Ivelostfaithinhumanity Jr., Scroogey McClooney, and Grockon the Dream Goblin. United together over their supreme confound confusion, all six of them band together trying to find the "true cause" that's the cause of everything behind the scenes, while every faction that the five men were once fighting for are now all after them and basically make them the most wanted people in all of fiction. They form People Who Have No Idea What The Fuck Is Going On (P.W.H.N.I.W.T.F.I.G.O.) as a way to combat and learn the truth of this entire multi-Omniversal conflict and all the newfound enemies they made by simply investigating something they were never allowed to know in the first place. Also, if you think the previous saga was dark and depressing, you haven't seen nothing bitches! This story is somehow more depressing and heart-wrenching than the previous (which is saying a lot) The story also features fictionalized Chris-Chan's return as he's resurrected as a fucking french fry and seeks immediate retribution against the 𝓯𝓻𝓮𝓪𝓴𝓮𝓻𝓼, especially Enrique, who during the time of being a 𝓯𝓻𝓮𝓪𝓴𝓮𝓻, was one of the people responsible for Chris' death.

In the end, the story, so far, has been the subject of satirizing other literature and media's existential and profound themes, as well as its literary devices. Subjects include (but are not limited to) Catholicism, Hinduism, Buddhism, Qigong, philology, philosophy, classical mythology, Norse mythology, Gnosticism, Zoroastrianism, parts of the other Abrahamic religions, Confucianism, Shintō, Taoism, and countless fictional precursors. As the saga is a melting pot of as much fiction as the participants here can think of, the story itself also contains half the narrative genres listed from TvTropes.org. If you believe that absurdism, action flicks, adventure stories, afrofuturism, apocalyptic tales, black comedies, body horrors, buddy cop stories, comedy-dramas, coming-of-age tales, cosmic horror, courtroom dramas, crime thrillers, cyberpunk, disaster narratives, docudramas, dystopian works, eco-fiction, epics, erotica, espionage, experimental fiction, fairy tales, family sagas, fantasy, feminist fiction, folklore, found-footage, gangster stories, gothic fiction, grief literature, hard science fiction, heists, classical horror, kitchen-sink realism, legal thrillers, mystery stories, medical dramas, melodramas, memoirs, military fiction, mockumentaries, monster movies, musicals, mythic fiction, naturalism, neo-noir, new wave science fiction, opera films, outlaw narratives, political dramas, political thrillers, psychological horrors, psychological thrillers, pulp fiction, prison dramas, queer fiction, quest narratives, road-trip stories, romance, romantic comedies, rural noir, satire, science fantasy, sci-fi, screwball comedies, sea adventures, slapsticks, slashers, space operas, steampunk, superheroes, survival narratives, techno-thrillers, teen dramas, time-travel stories, tragedies, tragicomedies, weird fiction, westerns, xenofiction, young adult fiction, and zombie horror cannot work alongside each other, than this fanfiction will prove you the fuck wrong bitch!