User:Dung Eater
The Loathsome Dung Eater
I was born in a dumpster in Dildo, Subdivision E, Division 1, Newfoundland and Labrador, Canada. I like to get 𝓯𝓻𝓮𝓪𝓴𝔂 with my homies!
I really like Daffy, Myself, Mort, Wario, Waluigi, Hänsel, Gretel, Bean Khan, Your Mom, and A1 Steak Sauce.
I started jerking off in sept 11, 2001 and I am currently 50 years old. March on, sisters!
Hope you look forward to my future Fanboy & Chum Chum endeavors!
My mom said I can't do this for the rest of my life but I cut the brake lines on her car so we'll see who's bitching soon :)
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Whalecum to a page that documents Fanboy & Chum Chum Bible Lore (a.k.a. Peak Fiction)
The Free 𝓕𝓻𝓮𝓪𝓴𝔂𝓹𝓮𝓭𝓲𝓪 and Official Comprehensive source of information on Fanboy & Chum Chum that anyone can edit bitches!
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The OMNIVERSE SAGA: what will you do at the end of the world? are you busy? will you save us? may i see you, once again?, also known as the The Fanboy & Chum Chum Bible, or simply as the USER™ Saga, is the sacred holy scripture of the Dark Prognosticus written by 
and serves as a massive multimedia and expansive recursive crossover trollfic co-created by renowned multilingual authors, philosophers, scholars, and schizophrenic domestic terrorists, KMJ, Ozzie2009, The Loathsome Dung Eater, and SmilyCookieGod, it is considered the fanfic of all time. Set in the eponymous Omniverse, the fanfiction began as a simple satirical parody of infamous fanfictions/fanworks: Pooh's Adventures and Loud House: Revamped. It started on the now-defunct Neo Scary Godmother Wiki on Fandom when YouTuber: Magic Mush made a popular video of looking at weird wikis across the internet in April of 2023 which gathered the attention of various trolls alike to begin shitposting on the wiki. This act would lead to the wiki eventually creating its own ironic story-line which would become the story that this page details. Unfortunately, when the wiki was discontinued due to the mass flagging by one very oversensitive individual, the writers had nowhere to go to continue their story. This was until they found the savior Ozzie2009, who was creating his own trollfic on the SpongeBob Fanon Wiki revolving around the then-growing meme character of 𝓕𝓻𝓮𝓪𝓴𝓫𝓸𝓫. Over time, the former Neo Scary Godmother writers forged their story with that of Ozzie’s, resulting in the birth of this masterpiece. Due to this, the work is most notably known for its highly ambitious crossover elements as it is set to be the largest, most ambitious fictional crossover ever conceived in existence, with it starring every single director, actor, artist, etc. ever and with every franchise and work of fiction, including media based on true stories from throughout human history crossing over for the ultimate gigantic multi-narrative of a lifetime. It is also set to be the longest work of art ever created, surpassing The Loud House Revamped by 10-folds and making it look like an amateur. With how long and enormous the narrative is, as it is the longest story ever written, the saga consists of various forms of mediums like anime, audio dramas, concerts, film, light novels, literature, manga, music albums, poetry, prose, tabletop games, video games, webcomics, etc.
As mentioned before, the title refers to the story's main setting, the Omniverse, the aggregate of all fiction. As such, at first glance, the story itself begins as a typical run of the mill heroic crossover, featuring many of your beloved fictional characters, trying to save all realities from the nihilistic and evil antagonists; similar to the stagnant and generic good vs evil narratives represented by people such as J. R. R. Tolkien, George Lucas, Tetsuya Nomura, etc. Though that slowly starts to become ever less true as the narrative continues. The setting in truth, is much more complex, grandiose, depressing, and pessimistic. All universes in the end, live in constant conflict. All realities are simply stuck in a state of total war with hostile inter-dimensional demon races from the Omniversal void. There are effectively no true benevolent gods or spirits in the Omniverse, only daemons and angels trying desperately to eradicate one another. In the long run, our heroes cannot hope to defeat their enemies, so in the end, our heroes aren't really fighting for a brighter future but "raging against the dying of the light". In the end, through constant sacrifice and toil, our heroes simply delay the inevitable heat death of the Omniverse. But that's not all! The Omniverse Saga doesn't just focus on all heroes, it's a story told through all perspectives. With the narrative’s multi-perspective structure, it ensures that moments of triumph for one side turns into horror when retold from another faction's viewpoint. A “liberation” becomes an invasion and a “preemptive strike” becomes an unforgivable genocide. Characters are written not as embodiments of good or evil, but instead as just people warped by their own ideological believes, morals, fears, faults, loyalties, and survival instincts, often performing monstrous acts while sincerely believing they are preventing a greater catastrophe. Each faction is the primary antagonist of the other ones simultaneously, creating a narrative feedback loop of escalation where no side can de-escalate. As viewers slowly learn more about the true origins of the Omniverse, they are forced into the uncomfortable role of narrative judge, having to weigh each character's decisions and actions to decide which faction—if any—deserves to be called “right,” fully aware that such a judgment may say more about the audience’s own values than about the characters themselves.
The story has been the subject of extensive analysis for its existential and profound themes, as well as its literary devices. Influences include (but are not limited to) Catholicism, Hinduism, Buddhism, Qigong, philology, philosophy, classical mythology, Norse mythology, Gnosticism, Zoroastrianism, parts of the other Abrahamic religions, Confucianism, Shintō, Taoism, and countless fictional precursors. As the saga is the culmination of all fiction, the story itself also contains every narrative genres imaginable. If you believe that absurdism, action flicks, adventure stories, afrofuturism, apocalyptic tales, black comedies, body horrors, buddy cop stories, comedy-dramas, coming-of-age tales, cosmic horror, courtroom dramas, crime thrillers, cyberpunk, disaster narratives, docudramas, dystopian works, eco-fiction, epics, erotica, espionage, experimental fiction, fairy tales, family sagas, fantasy, feminist fiction, folklore, found-footage, gangster stories, gothic fiction, grief literature, hard science fiction, heists, classical horror, kitchen-sink realism, legal thrillers, mystery stories, medical dramas, melodramas, memoirs, military fiction, mockumentaries, monster movies, musicals, mythic fiction, naturalism, neo-noir, new wave science fiction, opera films, outlaw narratives, political dramas, political thrillers, psychological horrors, psychological thrillers, pulp fiction, prison dramas, queer fiction, quest narratives, road-trip stories, romance, romantic comedies, rural noir, satire, science fantasy, sci-fi, screwball comedies, sea adventures, slapsticks, slashers, space operas, steampunk, superheroes, survival narratives, techno-thrillers, teen dramas, time-travel stories, tragedies, tragicomedies, weird fiction, westerns, xenofiction, young adult fiction, and zombie horror cannot work alongside each other, than this fanfiction will prove you the fuck wrong bitch!
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