Fanboy and Chum Chum Bible: Difference between revisions

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(Created a page with the most basic info and summary of this weird ass crossover crackpot of an fanfic AU we’ve made so far. There is only one heading since it’s the only actual fundamental one and everything else is basically just fodder that anyone can change if they want to. I’ll update the page as our story continues in like 30 years or whatever the fuck.)
 
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<center><font size="7">{{color|red|'''WARNING'''}}</font><br><br>'''This wiki is NSFW and not for fucking kids! Nor is it suitable for anyone easily disturbed. This wiki and its story contains objectionable content and mature subject matter that might be unsettling for many viewers. This includes:<br><br>Prolonged and vivid material of intense gore and violence. Graphic sexual content and humor. Intense showcasing of gambling and drug use. Dark humor and taboo subject matter. Existential and depressing themes. Please read at your own risk.<br><br>Viewer discretion is HEAVILY advised.'''</div></div>
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<div class="mainpage-img">[[File:Poster (Transparent Version).png|1306x1306px|The Omniverse Saga|link=]]</div>
 
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<big><u>Whalecum to the page that documents '''Fanboy & Chum Chum Bible Lore''' (a.k.a. Peak Fiction)</u></big><br>''The Free 𝓕𝓻𝓮𝓪𝓴𝔂𝓹𝓮𝓭𝓲𝓪 and Official Comprehensive source of information on the Fanboy & Chum Chum Bible that anyone can edit bitches!''
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<span style="font-weight:bold;font-family:nunito">{{NUMBEROFARTICLES}} Articles  ·  {{NUMBEROFEDITS}} Edits  ·  {{NUMBEROFFILES}} Images  ·  {{NUMBEROFACTIVEUSERS}} Users</span>
 
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The '''<span style="font-size: 100%; background-image:linear-gradient(120deg,#8e2f29, #b06c49, #dbc87c, #84d0b6, #686dad, #a25d9e, #c05c9c); -webkit-background-clip: text; -webkit-text-fill-color:white; -webkit-text-stroke: 0.175em transparent">OMNIVERSE SAGA</span>: ''what will you do at the end of the world? are you busy? will you save us? may i see you, once again?''''', also known as the <span style="-webkit-text-stroke:1px #C87112;font-family:Arial Black">{{color|#FAFAD2|<big>The</big>}}</span> '''<big><span style="-webkit-text-stroke:1.3px Indigo;font-family:Arial Black">{{color|Limegreen|Fanboy}}</span></big>''' <span style="-webkit-text-stroke:1px #C87112;font-family:Arial Black">{{color|#FAFAD2|&}}</span> '''<big><span style="-webkit-text-stroke:1.3px #FE8806;font-family:Arial Black">{{color|Gold|Chum Chum}}</span></big>''' <span style="-webkit-text-stroke:1px #C87112;font-family:Arial Black">{{color|#FAFAD2|<big>Bible</big>}}</span>, or simply as the <span style="text-shadow: 0 0 10px black;"><span style="font-family: lobster;">{{color|white|'''USER™ Saga'''}}</span></span>, is the sacred holy scripture of the <span style="text-shadow: 1px 2px 9px white;"><span style="color:black;">'''Dark Prognosticus'''</span></span> written by [[File:Influxator.gif|link=https://skullgirlz.wiki/images/1/10/Dark_Prognosticus.mp4]] and serves as a massive multimedia and expansive recursive crossover trollfic co-created by renowned multilingual authors, philosophers, scholars, and schizophrenic domestic terrorists, <b style="background:linear-gradient(120deg,yellow,#afb853);-webkit-background-clip:text;font-family:Audiowide,menlo;-webkit-text-stroke:5px transparent;">''{{color|#523814|KMJ}}''</b>, <b style="background:linear-gradient(120deg,red,orange,gold,green,cyan,blue,blueviolet,indigo,magenta);-webkit-background-clip:text;font-family:Audiowide,menlo;-webkit-text-stroke:5px transparent;">''{{color|white|Ninespit}}''</b>, <b style="background:linear-gradient(120deg,gold,#875309);-webkit-background-clip:text;font-family:Audiowide,menlo;-webkit-text-stroke:5px transparent;">''{{color|indigo|Ozzie2009}}''</b>, <b style="background:linear-gradient(120deg,limegreen,green);-webkit-background-clip:text;font-family:Audiowide,menlo;-webkit-text-stroke:5px transparent;">''{{color|#253d25|The Loathsome Dung Eater}}''</b>, and <b style="background:linear-gradient(120deg,cyan,blueviolet);-webkit-background-clip:text;font-family:Audiowide,menlo;-webkit-text-stroke:5px transparent;">''{{color|Indigo|SmilyCookieGod}}''</b>, it is considered the fanfic of all time. Set in the eponymous [[Omniverse]], the fanfiction began as a simple satirical parody of infamous fanfictions/fanworks: [[Pooh's Adventures Wiki|Pooh's Adventures]] and [https://archive.org/details/the-loud-house-revamped- '''{{color|#FAB700|Loud House: Revamped}}''']. It started on the now-defunct ''Neo Scary Godmother Wiki'' on Fandom when YouTuber: [https://www.youtube.com/@magicmush1998 {{color|#FAB700|'''Magic Mush'''}}] made a [https://www.youtube.com/watch?v=8SCCyJSNEvk {{color|#FAB700|'''popular video of looking at weird wikis across the internet'''}}] in April of 2023 which gathered the attention of various trolls alike to begin shitposting on the wiki. This act would lead to the wiki eventually creating its own ironic story-line which would become the story that this page details. Unfortunately, when the wiki was discontinued due to the mass flagging by one [https://www.deviantart.com/shadethevulpix306 {{color|#FAB700|'''very oversensitive individual'''}}], the writers had nowhere to go to continue their story. This was until they found the savior [[User:Ozzie T. Floridian|Ozzie2009]], who was creating his own trollfic on the [[SpongeBob Fanon Wiki]] revolving around the growing meme character of [https://knowyourmeme.com/memes/freakbob-freakybob '''{{color|#FAB700|𝓕𝓻𝓮𝓪𝓴𝓫𝓸𝓫}}''']. Over time, the former Neo Scary Godmother writers forged their story with that of Ozzie’s, resulting in the birth of this masterpiece. Due to this, the work is most notably known for its highly ambitious crossover elements as it is set to be the largest, most ambitious fictional crossover ever conceived in existence, with it starring every single director, actor, artist, etc. ever and with every franchise and work of fiction, including media based on true stories from throughout human history crossing over for the ultimate gigantic multi-narrative of a lifetime. It is also set to be the longest work of art ever created, surpassing ''The Loud House Revamped'' by 10-folds and making it look like an amateur. With how long and enormous the narrative is, as it is the longest story ever written, the saga consists of various forms of mediums like anime, audio dramas, concerts, film, light novels, literature, manga, music albums, poetry, prose, tabletop games, video games, webcomics, etc.
 
As mentioned before, the title refers to the story's main setting, the Omniverse, the aggregate of all fiction. As such, at first glance, the story itself begins as a typical run of the mill heroic crossover, featuring many of your beloved fictional characters, trying to save all realities from the nihilistic and evil antagonists; similar to the stagnant and generic good vs evil narratives represented by people such as J. R. R. Tolkien, George Lucas, Tetsuya Nomura, etc. Though that slowly starts to become ever less true as the narrative continues. The setting in truth, is much more complex, grandiose, depressing, and pessimistic. All universes in the end, live in constant conflict. All realities are simply stuck in a state of total war with hostile inter-dimensional demon races from the Omniversal void. There are effectively no true benevolent gods or spirits in the Omniverse, only daemons and angels trying desperately to eradicate one another. In the long run, our heroes cannot hope to defeat their enemies, so in the end, our heroes aren't really fighting for a brighter future but "raging against the dying of the light". In the end, through constant sacrifice and toil, our heroes simply delay the inevitable heat death of the Omniverse. But that's not all! The Omniverse Saga doesn't just focus on all heroes, it's a story told through all perspectives. With the narrative’s multi-perspective structure, it ensures that moments of triumph for one side turns into horror when retold from another faction's viewpoint. A “liberation” becomes an invasion and a “preemptive strike” becomes an unforgivable genocide. Characters are written not as embodiments of good or evil, but instead as just people warped by their own ideological believes, morals, fears, faults, loyalties, and survival instincts, often performing monstrous acts while sincerely believing they are preventing a greater catastrophe. Each faction is the primary antagonist of the other ones simultaneously, creating a narrative feedback loop of escalation where no side can de-escalate. As viewers slowly learn more about the true origins of the Omniverse, they are forced into the uncomfortable role of narrative judge, having to weigh each character's decisions and actions to decide which faction—if any—deserves to be called “right,” fully aware that such a judgment may say more about the audience’s own values than about the characters themselves.                                                                   
 
The story has been the subject of extensive analysis for its existential and profound themes, as well as its literary devices. Influences include (but are not limited to) Catholicism, Hinduism, Buddhism, Qigong, philology, philosophy, classical mythology, Norse mythology, Gnosticism, Zoroastrianism, parts of the other Abrahamic religions, Confucianism, Shintō, Taoism, and countless fictional precursors. As the saga is the culmination of all fiction, the story itself also contains every narrative genres imaginable. If you believe that absurdism, action flicks, adventure stories, afrofuturism, apocalyptic tales, black comedies, body horrors, buddy cop stories, comedy-dramas, coming-of-age tales, cosmic horror, courtroom dramas, crime thrillers, cyberpunk, disaster narratives, docudramas, dystopian works, eco-fiction, epics, erotica, espionage, experimental fiction, fairy tales, family sagas, fantasy, feminist fiction, folklore, found-footage, gangster stories, gothic fiction, grief literature, hard science fiction, heists, classical horror, kitchen-sink realism, legal thrillers,  mystery stories, medical dramas, melodramas, memoirs, military fiction, mockumentaries, monster movies, musicals, mythic fiction, naturalism, neo-noir, new wave science fiction, opera films, outlaw narratives, political dramas, political thrillers, psychological horrors, psychological thrillers, pulp fiction, prison dramas, queer fiction, quest narratives, road-trip stories, romance, romantic comedies, rural noir, satire, science fantasy, sci-fi, screwball comedies, sea adventures, slapsticks, slashers, space operas, steampunk, superheroes, survival narratives, techno-thrillers, teen dramas, time-travel stories, tragedies, tragicomedies, weird fiction, westerns, xenofiction, young adult fiction, and zombie horror cannot work alongside each other, than this fanfiction will prove you the fuck wrong bitch!
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<h1 style="font-size:25px; padding-left:8px; font-family:Lobster; background-image: linear-gradient(to right, White, White); border-radius: 1px; border-block: 3px solid #2357e7; font-size:270%; letter-spacing:2px; ">      [[File:Leprechaun-icon.png|70x70px|link=]] <span style="background:linear-gradient(180deg, #5cc7f8, #3863e2); -webkit-background-clip:text !important; -webkit-text-fill-color:transparent;">''Characters''</span> </h1>
<center>The narrative element of characters is the most important and fundamental aspect to the Omniverse Saga and so far, the only one. Every other narrative element like setting, plot, etc. are all interchangeable and easily removable if one were to strip the entire narrative to its core. The core, of course, being the specific roles for the characters and their dynamics with one another. This is not referring to characters themselves, like the typical and generic "why else would someone want to see a crossover if not to see various fictional character from separate canons interact with one another," but instead the roles certain characters have for the overarching plot and setting. As such, you cannot tell this story without following this foundational element. If one were to remove this simple yet important aspect, than the entire story loses its meaning, thematic purpose, and emotional narrative basis''.''
 
With that said, what are the fundamental and most foundational character roles and dynamics for the entire narrative? At its core, it revolves around '''five key character roles''' and the tensions and/or love between them.</center>[[File:Diagram - Main Character Roles.jpg|center|thumb|732x732px|<center>A diagram showcasing the five main character roles and their dynamics with one another within the entire narrative.</center>]]
#'''The Decoy Protagonist(s):''' What most would consider the obvious main characters. They are the ones who begin our story and are portrayed as the characters that we (as an audience) root and follow along their massive and dreadful journey. They oppose the antagonistic force of the story directly as their main goal is to protect and bring harmony to the Omniverse. Some even have a complicated and comedic rivalry with a specific mentally unstable batshit insane comedic relief character who only exists to serve as a massive butt monkey and for our heroes/protagonists to look better compared to them. Ultimately though, they are killed by the Main Antagonist half way through the entire story, subverting expectations. They’re “decoy” protagonists because they ''look'' like the main heroes, but in the end, just like real life, no one has plot amour in this story.
#'''The Decoy Deuteragonist(s):''' What most would consider the obvious love interests. They are the emotional core to the whole story throughout the first half. Just like our decoy protagonists, they are portrayed as the characters that we (as an audience) root and follow along their massive and dreadful journey as well. They also oppose the antagonistic force of the story directly alongside the decoy protagonists. Their dynamic and romances with the decoy protagonists is the emotional core in the first half of the entire narrative as they are all tragic star crossed lovers who throughout the first half try desperately to save the Omniverse and live happily after. They also serve as motherly figures to many children and their love and protection for the innocents is what drives them to want to save the Omniverse for the future generations even if it means they would sacrifice themselves for that perfect world. Ultimately though, they are all killed without ever achieving their goals which is what leads to the decoy protagonists' decent into anguish and eventually what leads to their deaths as well.
#'''The Main Antagonist:''' The gravitational core of the entire conflict. As the name easily suggests, this character is the one who directly opposes all our protagonists. They are the direct drive to the whole conflict and are portrayed as an eldritch embodiment of all evil throughout the entire Omniverse. They are basically the Omniversal version of Satan or any omnimalevolent deity across real life mythologies. Within the narrative itself, they are the true leader of the main antagonist force/organization and is also the one who controls all the antagonistic mooks in the entire narrative. Lastly, they are the ones who are technically indirectly responsible for the deaths of the decoy deuteragonists and are directly responsible for the deaths of the decoy protagonists half way through the whole story.
#'''The Overarching Protagonist:''' Remember that one secondary comic relief weirdo who was friends/enemies with some of the decoy protagonists and had a comedic and complicated rivalry with them? Turns out he was secretly God all this time without him even knowing cause he suffers from severe memory loss for being infinite years old. Although he first appears as nothing more than a humorous, creepy, disturbing, and villainous buffoon, he is actually the central core to the entire narrative due to the entire conflict secretly revolving around him without his and many other characters' knowledge. Their relationship with the decoy protagonists is also extremely important as their deaths heavily affected him and basically was the plot point to when he decided to step into the conflict itself. In the end, he's the closest thing to a ''true protagonist'' hidden behind a bunch of misleading roles and in a meta sense, he's a narrative virus who hijacked the entire story. Furthermore, his dynamic with the overarching deuteragonist is the main dynamic and emotional core in the second half of the entire narrative. Unlike the first romantic dynamic though, which was wholesome, sweet, pure, and simply pleasant for audiences to witness, this dynamic is uneasy, complex, and disturbing for most audiences (well, if you're normal at least) due to huge ass elephant in the room: the horrifying age gap. The relationship is completely batshit insane and both characters are complete lunatics. Although the two characters due seem to truly love each other and care for one another, it doesn't change the disturbing fact that the relationship is founded upon pedophilic intentions which reinforces how unlike our decoy protagonists, the overarching protagonist is a disturbed, sickening, and vile character who even makes the many antagonists look like angels. Even if you do think they make a perfect ship for some weird ass reason, you're still not lucky since just like the original dynamic in the first half, they are also star crossed lovers whose constant bad luck makes the Omniverse want to separate them anyway possible (probably cause their relationship is fucking weird as hell.)
#'''The Overarching Deuteragonist:''' The real emotional backbone of the entire narrative. A pair of young immortal twins who were originally orphans in the same orphanage where some of the decoy deuteragonists worked at which eventually led to them becoming mother figures/big sister figures to the young emotionally traumatized girls. Unfortunately for them, things only got worse for them since after the death of their mother/big sister figures and the decoy protagonists, the orphanage went to shit and were later sex trafficked since the orphanage needed more money. Due to their unknown immortality though, they were the most precious assets due to being unkillable and being able to heal from any severe torture and punishment. Due the eons of torture they were forced to withstand, they lost their minds and became mentally unstable. Now, in a narrative perspective, they serve as a grim reminder of how everything our heroes and heroines did was all for nought since all it led to was the death of millions of children and the severe mental anguish of these two little girls which reinforces the tragic nature of this story and consequences of every character's past actions. There is only one character though since the other twin got lost before the second half truly begins. Apart from her important relationship with the overarching protagonist, it is also later revealed that she shares a hidden and forgotten past with the main antagonist from long, long, long ago. This creates even further tragedy in the entire narrative as it is slowly hinted at that the main antagonist wasn't always the embodiment of all evil in all of fiction, but maybe, they were once someone who truly cared for our overarching deuteragonist but something happened that made them loose their mind...
Encase you haven't noticed yet, this story is extremely fucking dark like how this page you warned before. 
 
Furthermore, there is a headcanon and fan theory that each of the five main character roles individually symbolically represent one of the five stages of grief as in {{Color|gray|denial}}, {{Color|red|anger}}, {{Color|orange|bargaining}}, {{Color|blue|depression}}, and {{Color|green|acceptance}}.
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Latest revision as of 06:34, 16 May 2026

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